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l o v e + m o n e y i n h u l l

by Natalie Pryce

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Paroled in ‘55
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Paroled in ‘55 For me this is Natalie Pryce's magnum opus; showcasing a less manic but more sultry cocktail of dark Lynchian blues, jazz and experimental art rock, backed to even loftier heights than ever before by the inimatably gorgeous voice of Laura St Jude. Somewhere between David Lynch, Nick Cave, Tom Waits, Mike Patton and a cigarette butt floating in a bottle of Buckfast exists the nocturnal brilliance that's Natalie Pryce... and this is the deliciously decadent cream of their crop. Favorite track: Betty.
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1.
Martin Amis 04:31
I live among you I’m never found I see your folly I write it down My hair is grey My face is sallow I write the books I wrote ‘Time’s Arrow’ Tell what my name is My name is Amis Martin Amis Your comic lives For art I’ve mined I’m fascinated By you and your kind You can’t help it It’s your yobo genes You’ll never know What money means Tell what my name is My name is Amis Martin Amis I’ll tell you secrets Make it intimate But peel it back My truths are fake Your lives are jokes Your ignorance funny Some call it crass I call it money Tell what my name is My name is Amis Martin Amis
2.
Olga 05:17
Everything I wanted Still I’d rather be dead A million costs a million I became a broker The year that I met her I can buy opinion Coke and ambition Whores and acquisition Money never changes Look inside the mirror None of me was clear Only lives can never be exchanged And with the right cash you can hear me sing… Money can’t be made My hands begin to fade Nothing ever lasts My body turns to gas As you watch me disappear Got the house got the car Satisfaction can’t be far Everything loses focus All sales will pay Reality ebbs away My body I do not miss Fade into the ether Cannot recognise her Only money makes sense My mind is now free Never what I want to be Money is not an expense And with the right cash you can hear me sing… Money can’t be made My hands begin to fade Nothing ever lasts My body turns to gas As you watch me disappear I buy and I spend My spirit will transcend Everything I can lose I got the Wall Street blues As you watch me disappear Give me the money, give me all your money… as I disappear
3.
Kylie 01:56
I’ve always loved the movies When reality ain’t enough I’ve always loved the movies When reality ain’t enough I started out on porn but now I’m addicted to snuff Boredom is dangerous, As I’m sure you all know. When even hardcore goes soft, There’s only one way to go Exiled from our deeper selves; it’s time to fuck the seeds we sew Anaesthetised by cliché I soon hit the harder stuff I saw the world’s competing fictions And I called their bluff Imagination got hard and so I turned to snuff Watching cock after cock Just left me dead behind the eyes Choking on hot cum I couldn’t help but take a dive Sex scenes are easier when I know everybody in it dies Oh no, terror wake us from inertia Oh no, I dream of violence Oh no, I want it want it rough I find myself… addicted to snuff
4.
Jessica 04:59
Money let us lie there in products and in sex And love sang all the days that you could pay the cheques But money songs its own song; it’s metallic like the knife When it’s gone you see that money has a lot to do with life I want to die with you There’s nothing else I’d rather do All the money in the world can’t make our dreams come true So I wanna die with you I’ve always been in awe of the velocity of money As days ran dry we found love can’t pay for us, for me When we were poor I learned the truth about love You say “we’ll be rich’ I stare at the high windows above I want to die with you There’s nothing else I’d rather do All the money in the world can’t make our dreams come true So I wanna die with you Get on the ground now nobody fucking move When you’ve got nothing the bank has something to lose The filth had us surrounded – no option but destruction All the point on the compass only lead to one direction We loved each other completely with a cost so high and rich But when the world falls apart it be put back with a needle & stitch In my arms I held you and pressed the gun up to your head I closed my eyes and whispered “it costs nothing to be dead” I want to die with you There’s nothing else I’d rather do All the money in the world can’t make our dreams come true I wanna die with you I wanna die with you
5.
Mr Easton 04:30
1. I’ve always been sensitive, you know what I mean? I’ve always ascribed meaning to the things that I dream I can hear those sirens crying The scream of living and the dying You hit me so hard I’m lost somewhere along the kitchen floor If the ambulance gets here they’ll pull me up to the shore I know that you love me Because you told me so I know that I love you Because you told me so With a rickety voice I ask “why’s the ambulance so slow” You smile at me and say that it’s all part of the show 2. Your strong arms hold me and keep me held in love You’ve always been faithful… well, sort of You’re my god and my messiah And though they tell me you are a liar I won’t swallow bitter wisdom for I know that you’re my man I’ve known you are who you are ever since our love began You make me suffer You make me over And I want to suffer And I want to be over I don’t care what they tell me or what they say they know I just smile at them and tell them it’s all part of the show 3. I’m standing here upon the stage for your women and your men I’ll practice every night until we make love again I want to be broken pin me down and pull me open but the bruises of artistic thrills are beginning to show will you even remember this in another year or so I want you to hurt me more than you want to hurt me I want to be loved more than you want to hurt me I want you to want it more than you want to hurt me I want you to want to… And when the roles reverse with you on top and me below I’ll look up and with a smile I’ll say: it’s all part of the show
6.
Betty 04:16
Why live, When you can watch? Rain falls On the Humber docks All my nightmares about adult life, They’re all coming true My necktie is clawed loose As I stare at the view I’m not afraid, But it sure feels like fear The years have taught me How to disappear Ain’t that a shame? Ain’t that a shame? Ain’t got no love There ain’t no cure for that Ain’t got no money There ain’t no cure for that Ain’t got no sex There ain’t no cure for that You’re living in Hull Baby, there ain’t no cure for that How can one live? How can one live? Work made me grey and pale Work is all I give My exhaustion, Is a relief from reflection My inner life Has died of dissatisfaction I see the horror Submerged in the banal And I can’t see the value When I know the cost of it all Life is boring Hull is boring
7.
Isabella 04:49
Tell me, where does it go? All the money that we blow? It never comes back round so it’s gone somewhere I know Rich man or poor man, no man can make love nor money last With little funds it’s easy to spend love too fast All the riches of the world All of the diamonds and the gold All the stories we’re told …Love can be bought and sold Nuremburgian banners tell me to “spend or fail as a citizen” When the prices are this low, who gives a fuck about ethical criticism My humanity stripped down, to only what my loyalty card required I killed a man with my bare hands, he was after the product I desired All the riches of the world All of the diamonds and the gold All the stories we’re told …Love can be bought and sold Don’t sell it to people; Sell people to it. Only values that I’ve got left Are what a carrier bag can fit Everything’s for sale. It’s open all night Here at the supermarket I buy some fascism lite And then I saw her… her beauty so sacred amongst the profane Others were killing for tat, she was an angel of the checkout lane Her beauty brought hope, a life beyond these plastic lands But she was looking through me at the products in my hands All the riches of the world All of the diamonds and the gold All the stories we’re told …Love can be bought (fade to end)
8.
Jennifer 00:52
9.
Sabine 04:48
I woke up this morning with my brain spilling out my head It wasn’t just me everyone on earth was dead Corpses shuffling to and fro, on their last wave by I don’t recall the date, when did everybody die? Rotting bodies moaning the question “who’s to blame” But as I look around the world I see everything is the same. I’m happy to hear you’re doing fine It’s been the end of the world now for a long, long time. I should have known the apocalypse had to be When I saw the hooker holding master’s degree When mindless wars where planned with great accuracy When disease is better that paying a hospital fee When our governments stole our privacy and we didn’t care When we reached out to god and found nobody there I’m happy to hear you’re doing fine It’s been the end of the world now for a long, long time. The world ended without any kind of fuss Culture has retreated frightened from us There’s a collective effort to sure up our memory of the past But all the cover bands in the world simply can’t last We need to decay away to get some relief We’ll cross the murky interface between the actual and the belief Our bodies need it but our minds aren’t able And all time is… irredeemable Money has no meaning when debts just pay for debts Everybody wants justice until everybody forgets Corpses check online for what information has been said As all sentience clicks away, wanking and undead We eat the flesh off each other as a matter of course But on the whole I can’t say anything is really any worse I’m happy to hear you’re doing fine It’s the end of the world It’s the end of the world It’s the end of the world It’s been the end of the world now for a long, long time.
10.
Rumsfeld 06:12
They are watching you They are touching you And when you sleep Is when they meet In the woods Under owls Nothing is beyond their powers Nations crumble and fall They design it all Leaders will rise They stand behind In shadows and disguise So they need a little time A little time to unwind Let’s go down, come on down To Bohemian Grove As they climbed The ladder of success They took the rungs Away from anyone else They’ve made mistakes You’ve made them too But don’t you ever forget Who is ruling whom? They were young just like you And they had dreams just like you They wanted it all just like you …they just wanted it that little bit more than you So they need a little time A little time to unwind Let’s go down come on down… To Bohemian Grove.
11.
Howard 03:43
I was standing in the queue for the bank Waiting I watched the reptilian fuckers in front eating out the brains of the sad shit in the booth I had been in line for 6 or 7 or 8 or 9 days now and there was no signs of movement I envied and grew to loath those in front of me in the queue With their self-satisfied dinner jackets and smug little evening dresses They had everything I wanted Each successive one of them closer to the front If I could even be one place closer… I dreamed about killing the man in front of me He used his position to mock me I couldn’t do it though They’d only put me to the back of the queue That’s no way to live I tried to pity those behind me in the queue But I all could muster was a wet disgust for them They’d probably gladly kill me and risk getting sent to the back Their position is so worthless and frail already My memory fails me for the most part of my time at the back It creeps in at night to make sure I never sleep I remember when the first person appeared behind me in the queue It was power The lights began to flicker at one point during my time in the bank Then the whole place was in darkness And a funny thing happened… Nobody moved Light began to pour through a crack in reality The crack spread open like legs Everyone in the bank stared into the open portal Each of us saw Inside there was a garden of all earthly and heavenly delight I saw all my wildest fantasies moving, alive and real One hundred naked angels beckoned me into the sun But then the bank opened up another cashiers booth The queue moved forward one space in front It might only take another year or two now I stared again into the portal But everyone in front moved forward I was going to lose my place I stepped forward in the queue The portal closed And so did the first booth.

about

'Love + Money in Hull' submerges into the modernist trauma of finding yourself in an adult world, for which you were totally unprepared.

Written in exile in a hotel room in Hull. Each song of 'Love + Money in Hull' is a Kafkaesque horror story about the pains of navigating life through the murky waters of bank queues, wage slips, name badges, fascist supermarkets, class wars, loan debt, global financial disaster, internet porn addiction, corrupt politicians, elitist lizard conspiracies, the ultimate extinction of career options, the ultimate extinction of culture itself.

The opposite of love is money. What would we be willing to do for love? What would we be willing to do for money? What do we all do 5 days a week for money? These are not love songs: they are money songs. These are songs about money and the casualties of money. Recorded in 1 take per song, entirely in analogue the album looks at the world as it is now with a sound that is timeless.

The world seems to get a little bit worse every year. This album is about the anger and the sadness of living with that.


This is a work of fiction. Names, characters, businesses, places, events and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.

credits

released March 2, 2019

All songs written by Natalie Pryce.

Recorded live to analogue tape at Green Door Studios, Glasgow.

Mark Swan - vox, harmonica, banjo, glockenspiel, piano, melodica
Roisin Murray - vox
Greg Taylor - guitar
Steven Litts - bass, vox
Stephen Coleman - drums
Laura St Jude - vox
Konrad Wiszniewski - tenor saxophone

Engineered and Recorded by Samuel Joseph Smith
Mastered by Samuel Joseph Smith

All songs published by Ptarmigan records.

© 2019 Ptarmigan Records.

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